Story is King – Bobette Buster breaks it down

Bobette Buster is a great name, isn’t it? It has alliteration, punch, and origin. You know you’re not going to meet a mousy woman from Wolverhampton with a name like Bobette Buster.

Bobette, who is a story consultant for Pixar among other things, took to the stage last night at the Hay Festival to tell us about story. We know story, of course we do, but we don’t always know why it works. Why do some stories capture hearts, and others leave us with a  shrugged ‘meh’? Well, Bobette’s got more understanding about that than she could possibly cram into a fifty minute talk, but she gave it a jolly good go.

She brought me to tears three times with her choice of film clips (thankfully she didn’t show *that scene* from Toy Story 3 or it would have been embarrassing), and showed that the principles she was identifying could be applied to non-fiction, and real stories, not just ‘the movies’. Most powerfully she used a 90 second youtube clip of a woman hearing for the first time, thanks to a cochlea implant, and after we were all in tears, Bobette identified all the elements in play: two worlds colliding (hearing/non-hearing), the protagonist’s want/need (to hear), the courage to transform (the operation), the overwhelming joy at its success. We don’t think about these elements consciously, or even have to see them all, but as story beings we understand they are there and respond emotionally.

This was the first thing I was really struck by, and it’s the same thing I was talking about in my last post. The little vibration at your core. We are messy sacks of emotion, and stories help us understand what we’re feeling, even when we can’t verbalise why it works half so well as Bobette. Whenever I cry at a film or a novel, I’m crying because of some emotion that belongs to me – the story just makes it vibrate enough for me to access it. This controlled exploration of things like fear, love, loss, and grief through story makes it easier for us to embrace these emotions when they come at us for real.

The second thing is more personal. I have this line that goes around my head whenever I sit down to write and it goes like this: “I know I can write a good sentence, but can I tell a story?” The unspoken answer from my self-sabotaging psyche is ‘No you can’t’. One of the first things Bobette said last night was, “We are all storytellers. Everyone is interesting.” And a little something chimed inside me.

Couldn’t make it to Hay?

Last year Bobette did a talk for the Do Lectures (which all  look amazing), and the video is online: Can you tell your story?

She also wrote a book for Do Books: Story – How to tell your story so the world listens. It’s very good.

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A little vibration at your core

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This rather splendid article in the NYT puts its finger on one of the problems of being a modern author – the itty bitty problem of voice. Now that we’re not all writing omnisciently like Dickens or Austen, the aim is to capture the authentic voice of a character, to paint a word portrait as close as possible to the person we’re trying to depict, as they might paint it themselves if they were chatting to you in the pub. The danger is that we try to be too real and just end up writing like ourselves, time after time. This is especially troublesome for first person narrators, who can end up being either too like the author, or oddly like not very much at all (see abandoned novel number one). The best writers can find their characters’ voices without abandoning their own, or over-seasoning with authorial comment. They make you feel they’re in control.

The analogy the article made with method acting is about as close as it gets. We’re trying to write Truth while still capturing a person that is ‘other’. For me, the key to this is to let go, and find those parts of myself I’d rather keep hidden. I let go of my social inhibitions, my shame at some of my emotions and thoughts, and then the writing runs clearer. It’s not always easy, never pretty, and it doesn’t mean I just bash at the keyboard in an angry fashion. You know the feeling when you’re doing it, just as you know the feeling when you’re reading it. Something chimes within you. That’s the best way I have of describing it. A little vibration at your core.

That’s what we’re aiming for. Guess what? Most of the writing day, we miss.

(Thanks to Vanessa Gebbie for the link.)

 

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